Ancestor’s Gift
"When he returned from his travels, he brought a contingent of scientists and engineers who built the tower and several other structures. But, after a year of serious work, they packed up and left."
"When he returned from his travels, he brought a contingent of scientists and engineers who built the tower and several other structures. But, after a year of serious work, they packed up and left."
"‘I don’t want you to fail. But…’ Kahindo pointed back in the direction of the huts where Priti would no doubt be drinking with Chase. ‘They know nothing about our people.’ He looked down at the floor and for a while neither of us spoke, then he said, ‘There are no flying monkeys.’ I glared at him. ‘So what the hell–’ ‘We needed the money. Without guards and bribes, the poachers would destroy everything. I won’t let that happen,’ Kahindo said. ‘So you made it all up? Is this some kind of joke to you?’ ‘It’s not a joke, they fly, but they’re not monkeys,’ Kahindo said. I stared at him, waiting for him to continue. "
"Here we are. Six magnificent black rhinos, muscles rippling under thick, wrinkled hides – the first to tread this earth in more than a decade since the last beast died alone in a miserable British zoo. Granted, they’re all young still – mere babies, according to Theuns Theunissen, director of Houmoed Private Game Reserve. Dear god, I loathe that man with the power of a hundred suns going nova. He looks like he’s stepped out of one of those nature doccies on one of the major streaming services – all blond, with a tan out of a bottle, and his teeth so white they must’ve cost as much as a small car. Apparently, he’s eighty, but doesn’t look a day over forty. Amazing what money can do. Especially when it comes to scrubbing what he did to a young, upcoming influencer at a product launch five years ago."
'She pulls a face. “Language and hidden histories matter. It’s from Kora, the tongue of the First People of the Cape, the now extinct Khoe. It means sweet water for all. The First Name for this place.”'
‘“Trees dey talk o,” she would say. “Dem dey talk about bad-bad things wey go happen for future.”’
Set in a coastal region, the story explores how marine technologies, specifically the use of energy-intensive drones for precision kelp monitoring, undermine the very benefits they aim to deliver.
The futuristic city becomes a utopian gaze, setting the stage for us to rethink and see urban planning as an intrinsic aspect of climate justice.
Set in a landscape of intense competition among technology developers, the narrative raises critical questions about whether Africa’s future in science and innovation should be driven by collaboration over rivalry.
This story is centred on Eketi, whose career as a journalist hit a dead end, forcing her to take a fellowship she earlier won as her only alternative for immediate survival, as she ponders her way forward in life.